Neuroaesthetics神经美学
欢迎您到脑科学的世界!
神经美学(或neuroaesthetics)是一个相对较新的经验主义美学的子学科。经验主义美学需要科学的方法来研究艺术和音乐的审美观念。 neuroesthetics于2002年获得沉思和艺术作品的创作神经基础科学的研究作为它的正式定义。 [1] Neuroesthetics使用神经科学的解释和理解的审美经验,在神经水平。主题吸引了来自包括神经学家,艺术史学家,艺术家和心理学家在内的许多学科的学者。
External links
http://neuroaesthetics.net/
http://www.neuroesthetics.org
http://www.neuroestetica.org
http://plaisir.berkeley.edu
http://www.leonardo.info/
http://neuroaesthetics.net
Books
Elbs, Oliver (2005): Neuro-Esthetics: Mapological foundations and applications (Map 2003). Munich: m-press. (The first dissertation on Neuroesthetics, written by an art historian).
Skov, Martin & Vartanian, Oshin (Eds.) (2009): "Neuroaesthetics". Amitiville NY: Baywood.
Link:
http://en.wikipedia.org/wiki/Neuroesthetics
最新文章:
The Neuroscience of Beauty
How does the brain appreciate art?
By Steven Brown and Xiaoqing Gao | September 27, 2011
The notion of “the aesthetic” is a concept from the philosophy of art of the 18th century according to which the perception of beauty occurs by means of a special process distinct from the appraisal of ordinary objects. Hence, our appreciation of a sublime painting is presumed to be cognitively distinct from our appreciation of, say, an apple. The field of “neuroaesthetics” has adopted this distinction between art and non-art objects by seeking to identify brain areas that specifically mediate the aesthetic appreciation of artworks.
However, studies from neuroscience and evolutionary biology challenge this separation of art from non-art. Human neuroimaging studies have convincingly shown that the brain areas involved in aesthetic responses to artworks overlap with those that mediate the appraisal of objects of evolutionary importance, such as the desirability of foods or the attractiveness of potential mates. Hence, it is unlikely that there are brain systems specific to the appreciation of artworks; instead there are general aesthetic systems that determine how appealing an object is, be that a piece of cake or a piece of music.
We set out to understand which parts of the brain are involved in aesthetic appraisal. We gathered 93 neuroimaging studies of vision, hearing, taste and smell, and used statistical analyses to determine which brain areas were most consistently activated across these 93 studies. We focused on studies of positive aesthetic responses, and left out the sense of touch, because there were not enough studies to arrive at reliable conclusions.
The results showed that the most important part of the brain for aesthetic appraisal was the anterior insula, a part of the brain that sits within one of the deep folds of the cerebral cortex. This was a surprise. The anterior insula is typically associated with emotions of negative quality, such as disgust and pain, making it an unusual candidate for being the brain’s “aesthetic center.” Why would a part of the brain known to be important for the processing of pain and disgust turn out to the most important area for the appreciation of art?
Our interpretation of the result comes from cognitive theories of emotion that argue that aesthetic processing is, at its core, the appraisal of the value of an object -- in other words, an assessment of whether an object is “good for me” or “bad for me.” The nature of this appraisal depends very strongly on what my current physiological state is. The sight of chocolate cake will lead to positive aesthetic emotions if I’m famished but to feelings of disgust if I’m sick to my stomach. Objects that satisfy current physiological needs will lead to positive aesthetic emotions (e.g., pleasure). Those that oppose these needs will lead to negative emotions (e.g., repulsion).
How does the anterior insula fit into this story? In thinking about the contrast between internal and external environments, the anterior insula seems to be much more associated with the former than the latter. It is part of the brain’s “interoceptive” system, evaluating the state of the organs of our body. Other parts of the brain, then, respond directly to objects in the external environment: the sensory pathways of the brain. (One part of the cortex that seems particularly important for processing information across many sensory modalities is the orbitofrontal cortex.)
Brain areas such as the anterior insula and orbitofrontal cortex that are activated by pleasant smells or tastes are also the parts of the brain that are active when we are awed by Renaissance paintings or Baroque concertos. There is virtually no evidence that artworks activate emotion areas distinct from those involved in appraising everyday objects important for survival. Hence, the most reasonable evolutionary hypothesis is that the aesthetic system of the brain evolved first for the appraisal of objects of biological importance, including food sources and suitable mates, and was later co-opted for artworks such as paintings and music. As much as philosophers like to believe that our brains contain a specialized system for the appreciation of artworks, research suggests that our brain’s responses to a piece of cake and a piece of music are in fact quite similar.
Are you a scientist who specializes in neuroscience, cognitive science, or psychology? And have you read a recent peer-reviewed paper that you would like to write about? Please send suggestions to Mind Matters editor Gareth Cook, a Pulitzer prize-winning journalist at the Boston Globe. He can be reached at garethideas AT gmail.com or Twitter @garethideas.
ABOUT THE AUTHOR(S)
Steven Brown is director of the NeuroArts Lab in the Department of Psychology, Neuroscience & Behaviour at McMaster University in Hamilton, Ontario. His research deals with the neural and evolutionary basis of the arts, including music, dance, acting and drawing. Xiaoqing Gao is a postdoctoral fellow at the Centre for Vision Research, York University in Toronto, Ontario. He studies the development and neural basis of face perception.
http://www.scientificamerican.co ... roscience-of-beauty
译言网 | 神经美学——解构美和艺术的生物学研究 http://article.yeeyan.org/view/444258/408307
【搬运】从视神经到艺术美学 | 从神经元到脑小组 | 果壳网 科技有意思 http://www.guokr.com/post/343009/
神经美学( neuroaesthetics )在目前为止有哪些有趣的研究成果? - 知乎 https://www.zhihu.com/question/36457902
当代认知神经科学-公开课-高清正版在线观看-爱奇艺 http://www.iqiyi.com/a_19rrjqiaz1.html
International Network for Neuroaesthetics | Stimulating research on the biological basis of aesthetics https://neuroaesthetics.net/
西方神经美学的兴起与发展 http://www.360doc.com/content/12/0717/13/4310958_224713797.shtml
科学松鼠会 » 不是神经病美学,是神经美学 http://songshuhui.net/archives/92160
神经美学
Neuroaesthetics神经美学的更多相关文章
- Bash 脚本编程语言中的美学与哲学
我承认,我再一次地当了标题党.但是不可否认,这一定是一篇精华随笔.在这一篇中,我将探讨 Bash 脚本语言中的美学与哲学. 这不是一篇 Bash 脚本编程的教程,但是却能让人更加深入地了解 Bash ...
- 神经网络模型之AlexNet的一些总结
说明: 这个属于个人的一些理解,有错误的地方,还希望给予教育哈- 此处以caffe官方提供的AlexNet为例. 目录: 1.背景 2.框架介绍 3.步骤详细说明 5.参考文献 背景: AlexNet ...
- 网络/运维工程师visio2013模具图标 绘制漂亮的网络拓扑图 狮子XL工程师美学思想
visio2013狮子XL自定义运维模具下载: 链接:http://pan.baidu.com/s/1bo779Kz 密码:xh3s 狮子XL 的美学思想: 1,一次痛苦,一生幸福. 之前,在绘制网络 ...
- lecture3-线性神经元和算法
Hinton第三课 这节课主要是介绍NN的输出端常用的神经元,然后重点是说明怎么使用BP来计算偏导数,在Hinton这一课中,他提供了他1986年参与写的<并行分布处理>一书的第8章,49 ...
- 深度神经网络结构以及Pre-Training的理解
Logistic回归.传统多层神经网络 1.1 线性回归.线性神经网络.Logistic/Softmax回归 线性回归是用于数据拟合的常规手段,其任务是优化目标函数:$h(\theta )=\thet ...
- BP神经网络模型与学习算法
一,什么是BP "BP(Back Propagation)网络是1986年由Rumelhart和McCelland为首的科学家小组提出,是一种按误差逆传播算法训练的多层前馈网络,是目前应用最 ...
- 建模算法(六)——神经网络模型
(一)神经网络简介 主要是利用计算机的计算能力,对大量的样本进行拟合,最终得到一个我们想要的结果,结果通过0-1编码,这样就OK啦 (二)人工神经网络模型 一.基本单元的三个基本要素 1.一组连接(输 ...
- 机器学习之神经网络模型-下(Neural Networks: Representation)
3. Model Representation I 1 神经网络是在模仿大脑中的神经元或者神经网络时发明的.因此,要解释如何表示模型假设,我们不妨先来看单个神经元在大脑中是什么样的. 我们的大脑中充满 ...
- 机器学习之神经网络模型-上(Neural Networks: Representation)
在这篇文章中,我们一起来讨论一种叫作"神经网络"(Neural Network)的机器学习算法,这也是我硕士阶段的研究方向.我们将首先讨论神经网络的表层结构,在之后再具体讨论神经网 ...
随机推荐
- Android监听应用程序安装和卸载
Android监听应用程序安装和卸载 第一. 新建监听类:BootReceiver继承BroadcastReceiver package com.rongfzh.yc; import android. ...
- GZFramework代码生成器插件使用教程
代码生成器分两种 1.基于独立exe生成程序 直接运行软件目录下GZFrameworkCodeGenerate.exe文件即可 2.基于VS插件生成 目录中分为两部分:全局缓存和VS插件 1.添加全局 ...
- 特征的转换规则 Transfer Routione
声明:原创作品,转载时请注明文章来自SAP师太技术博客( 博/客/园www.cnblogs.com):www.cnblogs.com/jiangzhengjun,并以超链接形式标明文章原始出处,否则将 ...
- Response.End()在Webform和ASP.NET MVC下的表现差异
前几天在博问中看到一个问题--Response.End()后,是否停止执行?MVC与WebForm不一致.看到LZ的描述后,虽然奇怪于为何用Response.End()而不用return方式去控制流程 ...
- Shell 语法之输入输出
Linux 使用文件描述符标识每个文件对象.文件描述符是一个非负整数,可以唯一地标识会话中打开的文件.每个进程中最多可以有9个打开文件的描述符. Linux 标准文件描述符 文件描述符 缩写 描述 0 ...
- TCP/IP协议学习(二) LWIP用户自定义配置文件解析
LWIP协议支持用户配置,可以通过用户裁剪实现最优化配置,LWIP默认包含opts.h作为系统默认配置,不过通过添加lwipopts.h文件并包含在opts.h头文件之前就可以对lwip进行用户裁剪, ...
- pfile 与 spfile
启动方式与顺序: 启动顺序:dbs 下的 init --> dbs 下的 spfile 如果 pfile 中没有指定 spfile 参数,那么数据库以 pfile 方式启动 如果 pfile 中 ...
- 使用spawn-fcgi管理php-cgi
spawn-fcgi -a 127.0.0.1 -p 9000 -C 5 -u nginx -g nginx -f php-cgi
- apache log4j日志工具使用入门[maven 项目配置]
简单的介绍下Maven项目中有关org.apache.log4j.Logger的使用.[1]首先我们需要找到 org.apache.log4j.Logger的坐标,并配置到POM.xml <de ...
- Struts1的核心对象
1.ActionServlet.ActionMapping.ActionForm.ActionForward 2.config = "/WEB-INF/struts-config.xml&q ...